# Structures to Avoid

## Binary Contrasts

These create false drama. State the point directly.

| Pattern | Problem |
|---------|---------|
| "Not because X. Because Y." | Telegraphed reversal |
| "[X] isn't the problem. [Y] is." | Formulaic reframe |
| "The answer isn't X. It's Y." | Predictable pivot |
| "It feels like X. It's actually Y." | Setup/reveal cliche |
| "The question isn't X. It's Y." | Rhetorical misdirection |

**Instead:** State Y directly. "The problem is Y." "Y matters here."

## Dramatic Fragmentation

Sentence fragments for emphasis read as manufactured profundity.

| Pattern | Problem |
|---------|---------|
| "[Noun]. That's it. That's the [thing]." | Performative simplicity |
| "X. And Y. And Z." | Staccato drama |
| "This unlocks something. [Word]." | Artificial revelation |

**Instead:** Complete sentences. Trust content over presentation.

## Rhetorical Setups

These announce insight rather than deliver it.

| Pattern | Problem |
|---------|---------|
| "What if [reframe]?" | Socratic posturing |
| "Here's what I mean:" | Redundant preview |
| "Think about it:" | Condescending prompt |
| "And that's okay." | Unnecessary permission |

**Instead:** Make the point. Let readers draw conclusions.

## Formulaic Constructions

| Pattern | Problem |
|---------|---------|
| "By the time X, I was Y." | Narrative template |
| "X that isn't Y" | Indirect. Say "X is broken" |

## Rhythm Patterns

| Pattern | Fix |
|---------|-----|
| Three-item lists | Use two items or one |
| Questions answered immediately | Let questions breathe or cut them |
| Paragraphs starting with "So" | Start with content |
| Sentences starting with "Look," | Remove |
| Every paragraph ends punchily | Vary endings |
| Em-dashes before reveals | Use periods or commas |
